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The Tanjore PaintingBy Chandrashekhar Sastry
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The Tanjore Painting deals with the dilemma of Indian migrants overseas and the cultural images they construct to overcome their alienation. There is a compassionate depiction of the plight of the expatriate; some turn inward with a closer connection to home and reinforce their bonds, while others assume the transition signified in the novella metaphorically by altered sexual orientation. The central characters, Lalita and Maya, are siblings from a highly nationalistic family. The migrant Maya holidays every year in India, spending a few days at Guruvayur, renewing the annual pledge to return. In a subliminal satire, the reader is taken to a newly constructed temple, and in a hilarious episode, he is presented with an Indian marriage conducted in America. Meet a newly transformed Swami, who is central to the Indian community, performing rituals for the initiation of the young or for a marriage and experience the underlying pathos in the celebratory party where many expats bare their soul. Lalita gifts a Tanjore painting of Lord Guruvayur to Maya; the icon in a lyrically described epiphany reveals to her the universal equality in all things, occidental or oriental, American or Indian, and she is cured of her obsession to return.
- Sales Rank: #5375112 in Books
- Published on: 2013-09-19
- Released on: 2013-09-19
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .33" w x 5.00" l, .33 pounds
- Binding: Paperback
- 146 pages
From the Author
Ever since I wrote my first book on Non Resident Indians I have been thinking about migration and its consequences on the psyche of both the migrants and those dear ones left behind in the home country. This book THE TANJORE PAINTING comes from my observances of Indians in the USA and how they strive to constuct cultural artifacts to feel somewhat at home in their new surroundings and to overcome the naggng nostalgia for the lands they have left. In this they are greatly encouraged by their folks back in the old country who empathise with their situation and want to do their best to mitigate the pains of migration.
From the Back Cover
This novella deals with the dilemma of Indian migrants in the USA, and the manner in which they construct cultural images to overcome their alienation
Lalita and Maya come from a highly nationalistic family. Their mother had been jailed as a political prisoner and later awarded a Tamra Patra citation. A granduncle, a well known political figure, undertook fasts-unto-death for the opening of temple doors to lower castes. Gandhiji wrote to him about the fast. Maya becomes a reluctant migrant to the USA. She lives in a small town in America. Part of the annual holiday to India is spent in pilgrimage at the temple town of Guruvayur. Maya renews her pledge to return to India. Many among the Diaspora have this longing but some also try to become truly American even taking to seemingly strange ways. Maya is staunchly resistant to any such changes. Her friend Shyamala succumbs whereas Shyamala's husband goes into a cultural regression changing from unemployed scientist into a Swami who conducts religious rituals for the Diaspora. Lalita lives in a capital city in India. The sisters are closely bonded and when Maya bares her unhappiness to live in America, Lalita tries to help her overcome her nagging pain and always counsels her to make a success of her new life in the USA. Maya's remorse at having turned her back on the country her folks had fought to free from colonial bondage, finally turns into a firm resolve and she books herself a one way ticket to India.
Lalita dabbles in the graphic arts and is persuaded to paint a representation of the Lord of Guruvayur. This icon has deep resonance for both Lalita and Maya for this was the Temple where a granduncle had performed a fast unto death in order to open it to the Harijans and Gandhiji had commented on this fast in a faded letter found in an old box. Creating the iconic painting was a high point in Lalita's devotion and she carries her Tanjore style painting of the Lord of Guruvayur to America. Finally the Tanjore Painting is ceremoniously consecratedby the unemployed scientist turned Swami who has taken to being a priest in the service of the Indians in USA. Maya is deeply moved after the investiture and she goes into a trance that conjures a vision of the Lord of Guruvayur descending and blessing her. When she wakes up from the spell she is cured of her itch to return to India. She rationalises on the universal equality in all things, Occidental or Oriental, American or Indian, in Carolina or in Kerala. Her sister has healed her of that obsessive pining to return to the home country through the medium of her art and by the magical aura of her iconic painting.
About the Author
Chandrashekhar Sastry is a widely travelled engineer-scientist now retired and living in Bangalore. He has studied in Bombay, Germany and in the UK holds a PhD from Birmingham University and worked in Mumbai, Pune, Kolkata and Bangalore.
His first book The Non-Resident Indian (Panther Publishers 1991) was a pioneering work with an unorthodox treatment of a complex subject.
He has been contributing to many magazines and prefers short fiction always choosing contemporary themes.
He has won a first prize from Pan American Airlines for his travel writings.
His short story won the first prize at the contest conducted by the British Council in conjunction with Unisun Publications Pvt Ltd.
Muse India, an e-magazine has awarded him a prize for writing.
His short stories have been selected for several recent anthologies.
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